Paul feeley biography
- After completing his training, Feeley began teaching, first at Cooper Union (1935–1939) and later at Bennington College.
- Paul Feeley (July 27, 1910 − June 10, 1966) was an artist and director of the Art Department at Bennington College during the 1950s and early 1960s.
- Born in Des Moines, Iowa in 1910, Paul Feeley studied painting at Menlo College, Menlo Park, California and the Art Students League.
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Paul Feeley
Born in Des Moines, Iowa in 1910, Paul Feeley studied painting at Menlo College, Menlo Park, California and the Art Students League. After completing his training, Feeley began teaching, first at Cooper Union (1935–1939) and later at Bennington College. The artist remained at Bennington for 27 years (1939–1966) and founded its celebrated art department. Committed to the art of his peers, Feeley exposed his students—among them, Helen Frankenthaler—to many of the most significant artists of his time. In addition, while at Bennington, he organized the first retrospective exhibitions of Hans Hoffmann, Jackson Pollock, and David Smith.
Feeley’s early work was both intensely formal and technically innovative. Although classically derived, his paintings from this period are looser, more gestural, and less emblematic than his better-known work from the mid-1960s. In later paintings, the forms gradually solidify and become more evocative of real life experiences. Simple shapes, which at the same time seem both poised and exuberant, are Feele
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Born in Des Moines, Iowa in 1910, Paul Feeley studied painting at Menlo College, Menlo Park, California and the Art Students League. After completing his training, Feeley began teaching, first at Cooper Union (1935–1939) and later at Bennington College. The artist remained at Bennington for 27 years (1939–1966) and founded its celebrated art department. Committed to the art of his peers, Feeley exposed his students—among them, Helen Frankenthaler—to many of the most significant artists of his time. In addition, while at Bennington, he organized the first retrospective exhibitions of Hans Hoffmann, Jackson Pollock, and David Smith.
Feeley’s early work was both intensely formal and technically innovative. Although classically derived, his paintings from this period are looser, more gestural, and less emblematic than his better-known work from the mid-1960s. In later paintings, the forms gradually solidify and become more evocative of real life experiences. Simple shapes, which at the same time seem both poised and exuberant, are Feeley’s hallmark. Between 1962 and 1966 he created a
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Born in Des Moines, Iowa in 1910, Paul Feeley studied painting at Menlo College, Menlo Park, California and the Art Students League. After completing his training, Feeley began teaching, first at Cooper Union (1935–1939) and later at Bennington College. The artist remained at Bennington for 27 years (1939–1966) and founded its celebrated art department. Committed to the art of his peers, Feeley exposed his students – among them, Helen Frankenthaler – to many of the most significant artists of his time. In addition, while at Bennington, he organised the first retrospective exhibitions of Hans Hoffmann, Jackson Pollock and David Smith.
Feeley’s early work was both intensely formal and technically innovative. Although classically derived, his paintings from this period are looser, more gestural and less emblematic than his better-known work from the mid-1960s. In later paintings, the forms gradually solidify and become more evocative of real life experiences. Simple shapes, which at the same time seem both poised and exuberant, are Feeley’
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