Gc myers biography

2023 GC Myers
“Eye in the Sky”

“I’ve been exhibiting my paintings at the West End Gallery since 1995, doing many group and solo shows. I believe this year’s solo show, Eye in the Sky, is my 22nd at the place I consider my home gallery.

Like many other things that take place over an extended period, my painting has evolved and changed. The techniques and process of my painting have constantly shifted, sometimes dramatically. And though I remain primarily a landscape painter, elements have been added to my paintings. There were red-roofed houses, red chairs, sailboats, paths, and fields of flowers, among others. And, of course, the Red Tree that became a sort of trademark, being present in the majority of my paintings over the years.

But there has also been another element that has been present and almost as ubiquitous as that Red Tree. It is the sun or moon that often appears as a large ball in the skies over my imagined landscapes.

Over the years, this sun/moon orb has taken on a greater role. Looking back at older work, the sun/moon was not shown often and w

The modest artist says his sense of perspec- tive derives from what he describes as a sense of rightness. “It’s hard to explain, but it’s simply my innate ability to see something and just know the perspective is off. It can be a horizon line in a paint- ing or a line in a three-dimensional piece of art,” he shares. “How lines move, intersect and relate to each other and the entirety of a piece, be it a painting or an abstract sculpture, is either visually appealing and right or simply doesn’t work.” 

This ability to understand when perspective is pleasing is important for an artist who makes landscapes that are emotionally based, not representationally accurate. He paints not from a photograph or looking out a window, but from his imagination. Still, he sees this sense of rightness as pivotal. “One stray line can ruin an entire painting,” he says. As evidenced in a quick study of his work, lines are fundamental in his approach to perspec- tive. Like many of Vincent van Gogh’s landscapes, Myers employs lines to hold in his brilliant, Fauvist colors. This allows his tree

What I’m Writing

The Red Bench, Rockport City Cemetery

Gary Myers, an artist whose work I admire and whose blog I’ve followed for years, lives north of Elmira, New York in the memorably-named town of Horseheads. His paintings have hung in an assortment of galleries, including theWest Endin Corning, New York; the Kada in Erie, Pennsylvania; and theThe Haenin Asheville, North Carolina.

A new solo exhibition of his work, opening June 7, will be his twentieth at the Principle Gallery in Alexandria, Virginia. The title Gary chose for the show, Red Tree: New Growth, neatly acknowledges both past interests and emerging directions in his art.

As he’s moved from one theme to another throughout the years, I’ve found his rich, mola-like landscapes and his unique portrayal of the ‘archaeological foundations‘ of our lives particularly appealing. Still, his iconic Red Tree — together with red-roofed houses, red chairs, and red boats — continue to serve as his most immediately recognizable and evocative symbols.

Mantra ~ G.C. Myers

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