Colombia prosper merimee biography

Prosper Merimee's improvisatrice: the voice of Corsican lament in Colomba

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Abstract :


Prosper Merimee's depiction of Corsica as an anachronistic and primitive society in Colomba (1840) relied significantly on the author's evocation of one of the island's oldest musico-poetic practices--the improvisation of funeral laments by female singers in Corsica's villages. Intimately connected to feuding and the practice of vendetta, this distinctly feminine medium of mourning is given voice by the character Colomba, whose spontaneous lamentations are admired by islanders but condemned by French authorities and her Europeanized brother. My discussion will show how the novel sets the oral/vocal practice of women's lamentation in fatal conflict with a French post-Enlightenment culture dominated by the written word, depicting the female voice as a subversive force. To understand what is at stake in this competition I draw out similarities between Colomba and Germaine de Stael's Corinne, or Italy (1807), which similarly highlights the tensi

Colomba

July 4, 2019
If you are looking for an exciting French classic that isn't half a thousand pages long, look no further. Colomba is a masterfully written tale of revenge that takes the shape of a short novel (novella). I've only read Colomba recently, but better late than never. I'm very impressed by this tale and even more by Merimee's precise and beautiful writing.

Early into the novel, I found myself fascinated with Corsica and its traditions. First we are introduced to a very sensible British family consisting of a father (who is a hunting enthusiast) and a daughter (who is a helpless flirt but kindhearted). These two serve as witnesses of the sorts for most of the story and at some point they get involved in the events. Their decision to travel to Corsica is something that will change their lives as will introduce father and daughter with the protagonist of this novel, young Orso.

Who is Colomba this novella is named after? Well, Colomba is Orso' sister, and she waits for him to come back home and revenge their father's death. Orso returns home to Corsica after a lo

Colomba

Colomba
(1840)

Adapted from the translation of Lady Mary Loyd found in the Novels, Tales and Letters of Prosper Mérimée. New York: Frank S. Holby, 1906. For educational use only.

“Pè far la to vendetta,
Sta sigur’, vasta anche ella.”
–VOCERO DU NIOLO

Chapter Index:

IIIIIIIVVVIVIIVIIIIXXXIXIIXIIIXIVXVXVIXVIIXVIIIXIXXXXXI

CHAPTER I

 

Early in the month of October, 181-, Colonel Sir Thomas Nevil, a distinguished Irish officer of the English army, alighted with his daughter at the Hôtel Beauveau, Marseilles, on their return from a tour in Italy. The perpetual and universal admiration of enthusiastic travelers has produced a sort of reaction, and many tourists, in their desire to appear singular, now take the nil admirari of Horace for their motto. To this dissatisfied class the colonel’s only daughter, Miss Lydia, belonged. “The Transfiguration” had seemed to her mediocre, and Vesuvius in eruption an effect not greatly superior to that produced by the Birmingham factory chimneys. Her great objection to Italy, on t

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