Vincent fecteau biography
- American, born 1969 He.
- Vincent Fecteau (born 1969) is an American sculptor based in San Francisco.
- Vincent Fecteau is best known for his modestly sized abstract sculptures, which he makes by hand using papier-mâché, plaster, and clay.
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Vincent Fecteau
American artist
Vincent Fecteau | |
|---|---|
| Born | 1969 (age 55–56) |
| Nationality | American |
| Known for | Sculpture |
| Awards | MacArthur Fellow, Guggenheim Fellow |
Vincent Fecteau (born 1969) is an American sculptor based in San Francisco.[1][2] He graduated from Wesleyan University in 1992.[3]
He is known for working with ordinary materials such as foamcore, seashells, string, rubber bands, paper clips, walnut shells, and popsicle sticks, and transforming them into beautifully precise handcrafted sculptures.[4][5] Constructed of papier-mâché, Fecteau often works on several sculptures at a time, taking a year or longer to finish each work.[6] He layers materials and textures, revealing a painstaking creative process that alters significantly the original spherical shapes.[7][8]
Fecteau's art has been included in numerous exhibitions, including the 2002 and 2012 Whitney Biennial, the 2013 Carnegie International, and a 2008 solo exhibition at the Art Institute of C
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Vincent Fecteau is best known for his modestly sized abstract sculptures, which he makes by hand using papier-mâché, plaster, and clay, as well as such commonplace items as rubber bands, seashells, and string. Their incongruous forms, unnerving color schemes, and often unsettling details are the result of numerous formal decisions made during the sculpting process: “I start with a form, I change that form, I change it again, I change it again. It either looks more like something or less like something. If it goes too close to looking like one thing, I move it away to look like something else. The idea being that it never quite settles into any one way of being read. That it can be all those things.”
Collage has also played a central role in Fecteau’s art since the beginning of his career. His collages typically combine images (clippings from architecture magazines, photographs by the artist) with materials such as cardboard and found pieces of wood or rope to create shallow reliefs. The effect is often an ambiguous sense of depth and an oscillation between abstract and domestic
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A selection of visual source materials which browse Fecteau's influences, inspiration and research methods.
"In 2005 I was invited to participate in a project in Los Angeles called 'The Backroom' initiated by Magali Arriola, Kate Fowle, and Renaud Proch, in which artists were asked to contribute materials related to their research, sources, and interests. Although at that time I was not using collage materials in my sculptures, I had amassed a large collection of magazine pages (mainly from architecture and interior design magazines) that I often flipped through for inspiration. I decided to edit the pages, spending several months arranging and rearranging them as relationships both formal and narrative were revealed. This book is a reproduction of the resulting selection, originally presented in 'The Backroom' in a simple black binder."
—Vincent Fecteau, San Francisco, 2015
Published following the exhibition "You Have Did the Right Thing When You Put That Skylight In" at the Kunsthalle Basel from June 18 to August 23, 2015.
American artist Vincent Fecteau (born 1969 i
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